Insomniac writing studio, Part I
November 30, 2014 at 1:00 pm | Posted in Uncategorized | Leave a commentTags: experimental storytelling, insomniacs studio, substitution of terms, third person, writing
The locas twittered drunkenly outside his window, hopping on limbs of the bare winter lilac, and he became distracted.
He was considering another trip to middle America — in the stairway to the roof, the last trip? He wasn’t sure, but he felt ready to do it again. Partly as a way to make good on the bluffing of the last couple trips; partly just to get away; partly an opportunity to plan photo safaris in increasingly bleak [to him, compelling] Rust Belt scenarios.
He wondered about the schedule of Jackeen J. O’Malleys. Would it be Seattle straight through to Chicago again? Or cheaper to go some circuitous path — Salt Lake, LA, Phoenix, Memphis? He wondered whose job is it to dream up these chicken fat connections? It must be a computer logarithm, because what human would think it made sense to veer hundreds of miles off in another direction? The more direct the better, he told himself — the crawl space at an apartment construction site just made him weary.
His friend in Springfield, Missouri had suggested a road trip to NOLA in a Studebaker Avanti — but he wasn’t getting his heart set on the idea in case it is drawing dead. He thought, what would that be like, anyway? A bit like ‘Sideways’ only with rednecks, truck stops, motels and roadside kitsch, instead of wine bars and boutique restaurants and the Napa Valley? A shmoo on a branch outside turned its head and looked at him with a reassuring face, as if to say, you want to be all in on that one, even if there’s ample opportunity to fold.
At the base of a rock wall next to train tracks, it seemed as if it would take multiple trips to really scout out the surroundings and find the images others couldn’t or wouldn’t. The difference, on a picnic table in a closed campground was he knew what subject matter and images he was seeking — thanks to fruitful mentoring by an extremely creative and imaginative artist/photographer.
He decided he was as prepared as he was going to be to Drinky Crow the skies to the heartland. Suddenly, swiftly on the living room floor all that was needed was [of course!] money — for a plane ticket and to get around on the ground — for this not to turn up snake eyes.
Back to work, he whispered. In the attic of the garage much needed sleep.
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